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Eyebrow Colors |
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Chocolate Brown (MP):
Use on medium to dark skin-toned clients. Add Light
Brown to achieve a softer look. Add Red or Orange to prevent fading to gray or
blue. |
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Coffee Bean (DD):
Great for brows on auburn and redheaded clients.
Add Olive to neutralize if needed. . |
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Dark Brown (MP):
Ash base. Lighter than Chocolate Brown, can be
used on all skin tones, but mostly used on medium brown skin tones. Add Orange
or Light Brown to produce a more natural look. |
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Deep Brown (DD):
A deep rich brown. Use with Midnight Black for a
dark brown eyeliner. This mixture is good for dark skin tones. |
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Espresso (DD):
Darker than Deep Brown for dark skin tones. Add
orange to prevent color from turning too dark. |
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Brown (MP):
Mostly used on redheaded clients because of the
warm, red tone base. If the skin has a lot of yellow tones, this color will
create a warmer brown tone. |
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Golden Brown (DD):
The lightest brown available in the Double Drop
line. Good for blondes and light skin tones. Add Taupe to prevent color from
fading to Orange. |
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Light Brown (MP):
Gold-based brown used for light skin tones. Add Yellow
or Taupe for a more blonde look. |
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Mocha (DD):
A dark blonde color good for light to medium
skin tones. Use with Purple Corrector or Olive to create an ash base and
neutralize warm tones. |
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Raisin (DD):
A red-based brown. Add Rose Red for a neutral
color or Blush for darker tones. |
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Taupe (MP):
Yellow-based color for blonde hair and fair skin
clients. Also used to enhance or lighten eyebrow tones. |
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Gray (MP):
A good match for people with salt and pepper
gray hair. Add Taupe or Light Brown to lighten, or mix with Dark Brown for light
to medium brown skin tones. |
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NOTE: All eyebrow pigment colors can be mixed to
obtain different tones. To prevent eyebrows from fading to Orange, Pink or
Purple, add a drop of Taupe, Olive or Purple Corrector to the desired brown
tone. For hair strokes, use one shade darker than the required color. |
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Eyeliner Colors |
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Espresso (DD):
A dark rich brown. Mix with Black for dark brown
eyeliner. |
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Chocolate Brown (MP):
Cooler than Espresso for people who have gray
eyes and want a soft eyeliner look. |
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Blue (MP):
Pure blue color. Mix with Gray or Taupe and add
on top of black eyeliner for a soft blue shadow. |
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Green (MP):
Mix with True Black or Espresso for people with
green eyes. Mix with Taupe, Gray or Brown for different tones of green eye shadow. |
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Black (MP):
A soft black eyeliner. Add Orange or Blue
Corrector to prevent fading to blue. |
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Jet Black (MP):
Carbon based, our blackest black. Add Orange or
Red to prevent fading to blue. Special formula for soft black eyeliner: One
drop of Jet Black + one drop of Midnight Black + one drop of Fire Red. |
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Midnight Black (DD):
Not the darkest black available, but needs a
complementary base of Fire Red to maintain true color.
Ideal for clients who want soft black eyeliner. |
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True Black (ML):
Specially pre-mixed to achieve very dark, yet
matted-looking eyeliner. Add blue eyebrow corrector or jet black as needed. |
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Wet Black (ML):
A pre-mixed color ready to use that makes black
eyeliner appear very dark and glossy looking. |
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Lip Colors |
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Blush (DD):
A soft, earthy red color. Mix with Rose Red for an
even softer color; darken with Mystic Red, Raisin; lighten with skin or Magic
Color. |
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Rose Red (MP):
Neutral soft rose color for fair to medium skin
tones. Mix with Pink Mauve for rosier pinky lips. Darken with Mystic Red. |
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Japanese Red (MP):
Neutral Soft Red, add Dark Red for a darker lip
liner; add Hot Pink to highlight pout area. Mix with Skin to soften. |
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Mystic Red (DD):
An earthy brick color for medium to dark skin
tones. Lighten with Rose Red. Add Orange to neutralize the blue undertone. |
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Real Red (MP):
True red lip color. Add Orange for darker skin
tones to maintain brightness. |
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Red Wine(MP):
Dark Mauve lip color. Add Orange to prevent from
turning too dark. |
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Dark Red (MP)
Dark earthy red lip color. Add Orange to prevent
from turning to blue on darker skin tones. |
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Pink Mauve (MP):
Soft pink lip color for fair to medium skin
tones. Add White (with caution) for a brighter pink or to highlight pout area. |
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Strawberry (DD):
A rich, coral color. Ideal for clients who love
orange, bronze and similar warm tones.. |
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Burgundy (MP):
A deep berry lip color. Add Strawberry to
prevent from turning to blue on darker skin tones. |
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Sunset Orange (MP):
A soft orange red lip color. |
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Fire Red (DD):
An intense and vibrant red for a range of skin
tones, from light to dark. Add Orange to maintain brightness on darker skin
tones. |
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Cranberry (DD):
A dark berry color. Add Strawberry to neutralize blue tones. |
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Pink (DD):
A soft, gentle pink that will fade to a very
natural, almost nude shade. Mix with Rose Red for added depth. |
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Hot Pink (DD):
Goes on bright but softens to true pink. Mix
with Japanese Red for added vibrancy and fade resistance. |
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NOTE: All lip pigments can be mixed to obtain
different colors. Add Orange or Strawberry for medium to dark skin tones to
prevent color from turning to blue. The darker the skin tone, the more Orange is
needed. Full lip fill-in is possible for very dark lips, but will need more than
two touch ups. |
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Corrector Colors |
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Yellow (MP):
Lightens dark brown colors: change eyebrows from
dark brown to a lighter tone. |
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Taupe (MP):
Neutralizes darker tones of orange, pink or purple
eyebrows. Mix with brown colors to prevent color changes. |
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Olive (MP):
Neutralizes lighter tones of orange, pink or
purple. Mix with brown colors to prevent color changes. |
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Purple Corrector (ML):
Use to correct purple, orange or pink eyebrows.
Or mix with brown colors to prevent color changes. |
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Orange (MP):
Neutralizes darker tones of blue and gray brows
and lips. For blue eyebrow correction don’t use alone—dilute with 10-20 drops of
water. Add Blue Lip Corrector on darker skin tones to prevent lips turning to
blue. Add to Black to prevent eyeliner turning to blue. |
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Blue Brow Neutralizer (MP):
Lightens and neutralizes blue-gray eyebrows.
Also lightens lip and areola colors. |
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Blue Brow Corrector (ML):
Use to correct blue, gray or green-blue
eyebrows. After corrected, the brow will turn to a brown tone. |
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Blue Lip Corrector (ML):
Used to neutralize blue or brown lip tones. Can
be used alone as a lip color or mixed with another to prevent color from
turning too blue, but is not strong enough for correcting very dark lips. Use
Orange or Strawberry for very black lip correction. |
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Strawberry (DD):
Works as a great blue lips corrector. Use
straight on blue-black lips or mix with other lip colors to prevent lips from
turning to blue. |
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Beige (MP):
Camouflage and cover small mistakes for lighter
skin tones (dilute with water 1:1). Mix with Skin, Magic Color or Taupe to darken
and match skin tones. |
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Skin (DD):
A flesh color used to lighten and soften lip and
areola pigment colors. Camouflage scars or eyebrow and lip mistakes. Dilute
with water and mix with Beige or Taupe to match skin tones. |
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Magic Color (ML):
Use alone or mix with Beige or Taupe to match
skin tones. This color blends well and leaves NO RESIDUE. Can be used on all areas
for any type of camouflaging on eyebrow, eyeliner, lips and paramedical
procedures (scar camouflage). |
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White (MP):
Lighten lip colors (use with caution!) Do not
mix with brow colors and never use alone for camouflage!! |
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NOTE: If eyebrow is too dark, color correction or
camouflage is difficult. Fade 1-3 times (once every 6 weeks) until color is
lightened, and then perform color correction and camouflage. |
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Areola Colors |
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Rose Red (MP):
A neutral rosy pink color. Add Skin for a softer
tone. |
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Blush (DD):
A soft earthy red color. Mix with Rose Red for a
fresh look; darken with Raisin, or lighten with Beige, Skin or Magic Color. |
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Raisin (DD):
A brown-based red color. Add rose red for a more
neutral color or blush for a darker tone. |
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Mystic Red (DD):
An earthy brick shade for medium to dark skin
tones. Lighten with Rose Red. Add orange to neutralize the blue undertones |
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Espresso (DD):
A very dark rich brown for medium to dark skin
tones. Add Orange to prevent color from turning too dark. |
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Skin (DD):
A flesh color used to lighten lip and areola pigments. |
